After 20th Century Fox’sLogancame away with an easybox office winlast weekend, many were expecting the superhero movie to take the top spot at the box office this weekend as well. WhileLogandidn’t suffer a tremendously drastic second weekend drop (57.2%), it did drop to second place, with Warner Bros.Kong: Skull Islandoverperforming, taking in an impressive $61 million whileLoganearned a decent $37.8 million. While it was originally expected to be a close weekend at the box office,Kong: Skull Islandhad no trouble running away with the box office crown.
Box Office Mojoreports thatKong: Skull Islandopened with an impressive $15,865 per-screen average from 3,846 theaters. While the debut was impressive, it does fall quite short of 2014’sGodzilla, which opened huge with $93.1 million in 2014, but dropped a massive 66.8% in its second weekend and 61.2% in its third weekend, closing its domestic run with $200.6 million with a worldwide tally of $529 million, from a $160 million budget. We reported last week that the Kong: Skull Island post-credit scene will tie into the upcomingGodzilla: King of Monsters, arriving in 2019, which will then tie intoGodzilla vs. Kong, debuting in 2020. WhileKong: Skull Islandmay not have a bigger debut thanGodzilla, it may have more longevity at the box office and have a better overall run at the box office, but we’ll have to wait and see.
In the spirit of its worldwide blockbusterGodzilla, Legendary Pictures presents a bold new take on the mythos of another iconic beast withKong: Skull Island, which starsTom Hiddleston(The AvengersandThorseries). Directed byJordan Vogt-Roberts(The Kings of Summer) and written byJohn Gatins(Flight) andMax Borenstein(Godzilla),Kong: Skull Islandwill fully immerse audiences in the mysterious and dangerous home of the king of the apes as a team of explorers ventures deep inside the treacherous, primordial island. Legendary’s story honors the foundations of existing King Kong lore, but places it in an entirely new, distinct timeline.Thomas Tull(Godzilla,The Dark Knight,Pacific Rim) andJon Jashni(Godzilla,Warcraft) will produce andAlex Garcia(Godzilla) will executive produce. The film will be released in 3D and IMAX 3D by Universal Pictures.
The critically-acclaimedLoganalso had a strong overseas debut, with $159 million, for a global total of $247.4 million. The story is set in the year 2024, where the mutant population has shrunk significantly and theX-Menhave disbanded.Logan, whose power to self-heal is dwindling, has surrendered himself to alcohol and now earns a living as a chauffeur. He takes care of the ailing old Professor X whom he keeps hidden away. One day, a female stranger asks Logan to drive a girl named Laura to the Canadian border. At first he refuses, but the Professor has been waiting for a long time for her to appear. Laura possesses an extraordinary fighting prowess and is in many ways like Wolverine. She is pursued by sinister figures working for a powerful corporation; this is because her DNA contains the secret that connects her to Logan. A relentless pursuit begins … In this third cinematic outing featuring theMarvel comic book characterWolverine we see the superheroes beset by everyday problems. They are aging, ailing and struggling to survive financially. A decrepit Logan is forced to ask himself if he can or even wants to put his remaining powers to good use. It would appear that in the near-future, the times in which they were able put the world to rights with razor sharp claws and telepathic powers are now over.
The top 5 will be rounded out by the horror hitGet Outdropping to third place with $21 million, followed byThe Shackin fourth place with $10.5 million andThe LEGO Batman Moviein fifth place with $7.8 million The top 10 will be rounded out byBefore I Fall($3.1 million),Hidden Figures($2.76 million),John Wick: Chapter 2($2.7 million),La La Land($1.7 million) andFifty Shades Darker$1.6 million. Also opening in limited release this weekend is IFC’s thrillerPersonal Shopperwhich earned $92,516 from four theaters for a $23,129 per-screen average, FIP’s romantic comedyBadrinath Ki Dulhania, which earned $850,000 from 152 theaters for a $5,592 per-screen average, Paladin’s dramaThe Ottoman Lieutenant, which earned $173,450 from 216 theaters for a $803 per-screen average, CBS Films' dramaThe Sense of an Ending, which earned $42,000 from 4 theaters for a $10,500 per-screen average, Focus World’s horror filmRaw, which earned $25,230 from 2 theaters for a $12,615 per-screen average, and Parade Deck Films’The Dark Below, which earned $1,477 from one theater. No box office data was given for Brainstorm Media’s dramThe Other Halfand Strand’s foreign dramaSuntan. It remains to be seen if any of these films will expand into a wide release in the weeks and months ahead.
Looking ahead to next weekend, Disney brings its highly-anticipatedBeauty and the Beastlive-action adaptation to the big screen, going up against the R-rated thrillerThe Belko Experiment. Also opening in limited release is the long-awaited sequelT2: Trainspotting, which will have expansions on March 24 and March 31 respectively, Well Go USA’s thrillerBluebeardand Freestyle Releasing’sBurn Your Maps. Take a look at the box office estimates for the weekend of March 10, and check back Sunday for the box office estimates, and on next Tuesday for our next wave of predictions.
